Selasa, 29 Mei 2012

[P152.Ebook] PDF Ebook Free Collars Kingdom 2, by Takuya Fujima

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MORE FELINE FEMMES!

Young catboy Cyan has found himself on one side of a huge territorial catfight against the beautiful Siam and her endless supply of gorgeous generals. Luckily, Cyan’s not alone: He’s allied with a cool cat gang called the Free Collars, and together they’ll face terrifying car chases, bikini-filled beach brawls, and automated death in an unmanned sushi factory. But then a battle breaks out within the gang itself when tough rocker-girl Char tries to force Scottie out of the group. Now Cyan finds his loyalties being tested. Will he choose Scottie–the girl he loves–or his friends and comrades-in-arms?

  • Sales Rank: #2708083 in Books
  • Published on: 2007-05-01
  • Released on: 2007-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.51" h x .70" w x 4.97" l, .25 pounds
  • Binding: Paperback
  • 240 pages

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Senin, 28 Mei 2012

[Y568.Ebook] Ebook Sources of Chinese Tradition: Volume 1: From Earliest Times to 1600[ SOURCES OF CHINESE TRADITION: VOLUME 1: FROM EARLIEST TIMES TO 1600 ]

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  • Published on: 2000-01-21
  • Binding: Paperback

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Jumat, 25 Mei 2012

[K631.Ebook] Download Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights (Studies in Modern Drama), by Kimball King

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Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights (Studies in Modern Drama), by Kimball King

This comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.

  • Sales Rank: #4087463 in Books
  • Brand: Brand: Routledge
  • Published on: 2001-03-16
  • Released on: 2001-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .94" w x 5.98" l, 1.22 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Used Book in Good Condition

From Library Journal
This collection of 26 essays is derived from Garland's "Casebook on Modern Dramatists" series in response to reader's requests for a single volume on recent dramatists. The essays reprinted here do not exceed 20 pages in length and run the (alphabetical) gamut from John Arden to Lanford Wilson. The quality of each essay is high; the opinions and observations are insightful, and the writing is accessible to the persistent undergraduate or theater practitioner. Two particular favorites: Tish Dace's "Who Wrote John Arden's Plays?" is an impassioned appeal for the recognition of Margaretta D'Arcy's collaboration with Arden on all of his work, while Laura Hanson's "Broadway Babies" documents the evolving female character in Stephen Sondheim's work, of particular interest to actors and directors. But who is the audience for this anthology? Judging by holdings information, the individual volumes of the series have penetrated the library market rather successfully. The present work, in its paperback format, would be of most value to students, actors, directors, and dramaturgs and as supplementary reading for dramatic literature courses. Recommended to undergraduate collections without most of the volumes of the original series. Larry Schwartz, Minnesota State Univ., Moorhead
Copyright 2001 Reed Business Information, Inc.

Review
..."this is a useful and very reasonably priced introduction to an attractive series, which will undoubtedly tempt you to delve further into the life of at least one of the playwrights covered.."
-Manchesteronstage.co.uk
"The quality of each essay is high; the opinions and observations are insightful, and the writing is accessible to the persistent undergraduate or theater practitioner.."
-"Library Journal, Larry Schwartz, Minnesota State University, Moorhead., May 1, 2001
"The present work...would be of most value to students, actors, directors, and dramaturgs and as supplementary reading for dramatic literature courses. Recommended to undergraduate collections....."
-"Library Journal, Larry Schwartz, Minnesota State University, Moorhead., May 1, 2001.

From the Back Cover
In modern dramatists, Kimball King has assembled a comprehensive collection of insightful literary overviews of the foremost British, Irish, and American playwrights and plays of the late twentieth century, providing a valuable critical tool for informed readers of dramatic literature. Taken together, the twenty-six essays, written by leading figures in drama and theatre studies, reveal the tremendous range and vitality of modern theatre in England, Ireland, and the United States.

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0 of 2 people found the following review helpful.
I love cooks
By {HB}SharkMan
This book just takes the cake of being the best book for the lowest price i have ever seen. And its black cover makes me think of the happiness involved in reading it.

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Kamis, 24 Mei 2012

[E584.Ebook] Download PDF In Harmony: Reading and Writing (2nd Edition), by Kathleen T. McWhorter

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In Harmony: Reading and Writing (2nd Edition), by Kathleen T. McWhorter

NOTE: You are purchasing a standalone product; MySkillsLab ® does not come packaged with this content. If you would like to purchase both the physical text and MySkillsLab search for:

0134023862 / 9780134023861  In Harmony: Reading and Writing Plus MySkillsLab with Pearson eText - Access Card Package
Package consists of:
  • 0133944913 / 9780133944914 In Harmony: Reading and Writing, 2/e
  • 0133995151 / 9780133995152 MySkillsLab with Pearson eText - Inside Star Sticker
  • 0133995178 / 9780133995176 MySkillsLab with Pearson eText - Access Card

For combined courses in Developmental Reading and Writing.

A focus on sentence- and paragraph-level reading and writing skills
In Harmony, Second Edition is the first text in a two-part integrated reading and writing series. This volume focuses on sentence to paragraph reading and writing skills, while In Concert moves on to explore paragraph and essay level reading and writing. This series aims to show students how reading and writing unite to become a single process of understanding and expressing ideas.

Emphasizing the harmonious nature of the reading and writing processes, it highlights critical thinking and reinforces its relationship to these processes. Student and professional readings are presented at the start of each chapter and used as the basis for instruction, illustration, and practice. Readings are presented as integrated instructional material, rather than as models or additional practice, allowing students to improve on their own reading and writing skills through a single source. Thematic-based chapters help build continuity, elicit student interest and help students draw on their own prior knowledge. McWhorter’s streamlined presentation and flexible approach work in traditional as well as compressed courses.

Also Available with MySkillsLab ®
This title is also available with MySkillsLab — an online homework, tutorial, and assessment program designed to work with this text to engage students and improve results. Within its structured environment, students practice what they learn, test their understanding, and pursue a personalized study plan that helps them better absorb course material and understand difficult concepts.

  • Sales Rank: #1103560 in Books
  • Published on: 2015-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.20" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 640 pages

About the Author
Kathleen McWhorter (Ph.D. SUNY, Buffalo) is Professor of Humanities and Coordinator of Learning Skills at Niagara County Community College. In addition to her developmental writing series from Houghton Mifflin, McWhorter is the author of several successful reading and study skills texts from Longman including College Reading and Study Skills, Efficient and Flexible Reading, Academic Reading, and Guide to College Reading. Recently, Bedford Books also published a new title from McWhorter, Successful College Writing, for freshman composition courses.

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0 of 0 people found the following review helpful.
Three Stars
By Layla :)
Upset because My book did not have an access code

0 of 0 people found the following review helpful.
A ok
By Angela
Quality was fine with me. Not in the best condition ever but it's readable and not too dingy looking.

0 of 1 people found the following review helpful.
I like the integrated reading/writing format
By Debbie Ockey
I have used this book for a few semesters now. I like the integrated reading/writing format. I find the stories to be engaging, but they are in many cases too difficult for the level of students this book is intended for. The book is also too much to get through in one semester, so I would like to see a condensed version of it for a cheaper price in the future. Overall, I think it's a good textbook.

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Jumat, 11 Mei 2012

[W666.Ebook] Download Innovation_The Missing Dimension, by Richard K. Lester, Michael J. Piore

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Innovation_The Missing Dimension, by Richard K. Lester, Michael J. Piore

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Innovation_The Missing Dimension, by Richard K. Lester, Michael J. Piore

Amid mounting concern over the loss of jobs to low-wage economies, one fact is clear: America's prosperity hinges on the ability of its businesses to continually introduce new products and services. But what makes for a creative economy? How can the remarkable surge of innovation that fueled the boom of the 1990s be sustained?

For an answer, Richard K. Lester and Michael J. Piore examine innovation strategies in some of the economy's most dynamic sectors. Through eye-opening case studies of new product development in fields such as cell phones, medical devices, and blue jeans, two fundamental processes emerge.

One of these processes, analysis--rational problem solving--dominates management and engineering practice. The other, interpretation, is not widely understood, or even recognized--although, as the authors make clear, it is absolutely crucial to innovation. Unlike problem solving, interpretation embraces and exploits ambiguity, the wellspring of creativity in the economy. By emphasizing interpretation, and showing how these two radically different processes can be combined, Lester and Piore's book gives managers and designers the concepts and tools to keep new products flowing.

But the authors also offer an unsettling critique of national policy. By ignoring the role of interpretation, economic policymakers are drawing the wrong lessons from the 1990s boom. The current emphasis on expanding the reach of market competition will help the analytical processes needed to implement innovation. But if unchecked it risks choking off the economy's vital interpretive spaces. Unless a more balanced policy approach is adopted, warn Lester and Piore, America's capacity to innovate--its greatest economic asset--will erode.

  • Sales Rank: #519257 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 2006-04-15
  • Released on: 2006-03-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .69" w x 5.00" l, .62 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
Lester and Piore tell us that a corporate focus on core competencies will not suffice to make a brand irreplaceable and thus earn a ticket to prolonged life. Indeed great brands don't just fall from the sky, they have to be built through the carefully assembled blocks of innovation. The authors lead us to the conclusion that you have to go beyond just listening to the customer, you have to observe them and anticipate what they themselves never imagined they would want. (Patrick le Quément, Chief Designer, Renault)

Innovation-The Missing Dimension does have a central focus, but it is such a broad-ranging coverage of the important subject of innovation that it actually adds many dimensions to the reader's thinking. A worthwhile experience. (Robert W. Galvin, Former CEO, Motorola)

Finally, a book that blows past the one-size-fits-all answers of politicians and business pundits. Innovation-The Missing Dimension sets the standard for understanding how to compete in a global economy. (Bob Buderi, Editor at Large, Technology Review, and author of Engines of Tomorrow)

It is pretty clear that the future of a leading-edge economy now rests on its capacity to innovate. It is not at all clear what institutions and practices particularly favor innovation. Building on a few closely observed case studies, Lester and Piore arrive at some interesting, plausible and, well, innovative ideas about the way new products and processes come into existence and sometimes flourish. Their ideas have novel and significant implications for teaching, management and governance. (Robert M. Solow, Nobel Laureate in Economics)

This book brings new insight into innovation--where it begins and how it can be introduced and managed. The authors' original and thought-provoking prescriptions reach far beyond the world of business. They explain how education must demonstrate and play a major role in innovation. (Governor Gaston Caperton, President, The College Board)

While innovation is typically seen as a single process, Lester and Piore break it into two parts: problem solving and interpretation. Companies focus constantly on the former, which tends to be a rational step-by-step process. If they talk about the latter at all, it is under the guise of 'listening to the customer,' a less well-defined discipline. Much of the book is devoted to case studies of product development in fields ranging from cellphones to medical equipment to bluejeans. (Robert Weisman Boston Globe 2004-11-05)

From 1994 to 2002, almost in parallel with the Internet-led boom in the U.S. economy, researchers at the Industrial Performance Center at MIT developed a series of case studies of technology-oriented companies. These studies allowed the authors of the current book to identify common patterns in the innovation process. What the authors found was startlingly simple: innovation was a function of two basic processes--analysis and interpretation. While there are numerous books on the topic of innovation, this volume's real value is its exposition of the two processes and the illustration of these processes through exhaustive case studies...Innovation is absolutely critical to the economic well-being of the U.S. and is the only bulwark against the migration of jobs overseas. The authors make these points tellingly, using persuasive arguments that illustrate the innovation processes in organizations. (R. Subramanian Choice 2005-03-01)

This is an interesting and stimulating book. It argues that innovation studies have so far neglected an important dimension of the innovative process, which the authors call the interpretive dimension. This refers to managers' capability of bringing together people of different backgrounds (e.g., engineers, product designers, advanced users), engage them in constructive discussions about new products, manage the confusion and ambiguity that may inevitably arise in the interactions between heterogenous agents, interpret such ambiguity, and eventually point to new technological trajectories that the innovative process should lead to...Richard Lester and Michael Piore develop this interesting argument by describing the results of three case studies on innovation and product design in rather different industries...The basic argument developed in this book is original, and it challenges the dominant perspective on innovation management and policy. (Fulvio Castellacci Journal of Economic Issues)

About the Author
Richard K. Lester is Director of the Industrial Performance Center and Professor of Nuclear Engineering at the Massachusetts Institute of Technology (MIT).

Michael J. Piore is David W. Skinner Professor of Economics and Management at the Massachusetts Institute of Technology. He is the author of several books, including, with Charles F. Sabel, The Second Industrial Divide.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great book on overseen factors behind innovation
By Ulas Tuerkmen
Innovative ideas need space to germinate, grow, and develop into
complete products. The nature of this space, how it can be created,
and how to steer it are the topics of this book. The authors base
their arguments on studies of companies from various industries that
were either introducing new products to markets where they had no
foothold, or trying to stay ahead of the competition by continuous
innovation. It is very interesting to see how seemingly disparate
industries such as fashion, medical imaging or home lighting face
similar issues when they have to connect different departments within
the same organization or interface with other companies for
information exchange. While Motorola has to balance the gung ho
attitude of radio operators with the more reliability-oriented approach
of telephone network operators, Levi's has to cooperate with stone
washing laundries and share techniques that differentiates them from
the other jean manufacturers.

The authors point out that the way product and manufacturing design is
formulated and studied in the literature and in companies is through
the problem-solving perspective. Design is treated as a problem to be
solved, whereby an analysis is performed to split the problem into
parts, which are then delegated to people with suitable expertise. The
specific insight of the authors is that the analytic approach is
neither accurate, in that it's not what really happens, nor
preferrable if innovation is to be a focus. It's not accurate, because
there is something preceding the analysis step. As one executive
remarks, "by the time I see the parts, I already have the
answer". That is, for a solution to be formed and split into parts,
the exact problem has to be formulated, and this is a very difficult
and specific task on itself. The analytic approach is also not
preferrable if innovation is at stake, because the ideal problem
solving approach is one of taking the shortest distance to the goal
within certain constraints. Innovation, however, requires a
speculative, open-ended process that serves as a precursor to the
analytic episode. During this process, there is radical uncertainty,
meaning that not even the possible outcomes are known, and there is a
lot of experimenting and trial-and-error involved ("You have to kiss a
lot of frogs"). According to the authors, the distinctive component of
this seemingly chaotic phase is interpretation. Interpretation is the
counterpart to analysis, and is charactized by a vague target,
open-ended conversations, and fluid borders.

If analysis is possible with the problem-solving approach, what is the
basic process that enables interpretation? The answer is the above
mentioned conversation, but not within the strict information-exchange
view in which communication is seen in the analytical perspective. If
it is to lead to new insights, and serve as a basis for innovation,
conversation has to be open-ended, include people and organizations
with different backgrounds and perspectives, and not shy away from
ambiguity. Management usually aims to remove all ambiguity from
communication within a company, but for the purposes of
interpretation, the ambiguity that is familiar to us all from our
daily use of language is actually crucial. It is the critical resource
out of which ideas emerge, because ambiguity leads to the participants
inquiring each other about their standpoints, and make new discoveries
about each other and about the object they are organizing around.

The rest of the book is dedicated to understanding the analysis vs
interpretation divide, how companies can create and sustain
conversations to alternate between these, and case studies of
successful and collapsed conversations. The authors compare the role
of the manager in a company that wants to sustain conversions to the
host of a cocktail party, who has to supply the right participants and
environment for conversations, make sure that the conversation does
not get bogged down in bargaining, and rekindle it when it threatens
to die off. One interesting connection made by the authors is how
conversations in the early phase are threatened by the existing
customers of a company, reminiscient of the innovator's dilemma. The
end result of a conversation is not, as a simple extrapolation would
make one believe, a product or a problem to solve; it is a language
community. One of the most interesting and surprising aspects of this
book is the affinity to the developments that were then current in
Cognitive Science (especially Cognitive Linguistics) evidenced by this
characterization. The authors compare the people who develop a common
language after taking part in a conversation for a prolonged period of
time with communities that develop a language of their own, going from
a pidgin to a creole, and characterize them as a language community.
The most relevant property of such a community is that they have
created a space where ambiguity can be recognized as such, but does
not have to be feared. It is rather recognized as a possibility for
interpretation. They further reference the category theory of Lakoff,
who argued against strict category membership, and inherent vagueness
in the linguistic usage of category terms.

The book goes deeper into the relationship of companies to two other
settings that are accepted to be interpretive communities. The first
of these is industrial districts, such as Silicon Valley or the Veneto
region of Italy, famous for its clothing manufacturers, out of which
Benetton emerged as the leader. Although these districts provide the
interpretive communities for whole industries through the knowdledge
and labor that flows between the smaller companies, they are under
pressure from the leaders who make use of these resources, but
contribute little in return. There is a similar relationship between
universities and the industry, especially in the US. Universities are
singular in how they combine analytic and interpretive communities.
They offer the chance for intense occupation with very specific
problems, but also a public arena for chance encounters, open
discussions, and intense social interactions. In this sense, they are
one of the most important locusts for interpretive communities.
Recently, universities have come under financial pressure, thus
reaching for more industry collaboration, and companies are eager to
offload their research to universities. There is a very clear conflict
in the fundamental driving forces of these two spheres, however:
Universities function under the principles of openness and peer
recognition, whereas businesses follow financial incentives. The
authors discuss the various facets of this conflict on concrete cases,
but refrain from proposing simplistic solutions.

Of particular significance for me was the connection the authors made
to the software development context. I think the authors have
recognized the idiosyncracies of software development, and the
exceptional relevancy they present for the book, rather well. Software
is even more difficult to break apart analytically and reassamble than
manufacturing. The pieces interact with one another in unpredictable
ways due to the inherent complexity and brittleness of software
components. Furthermore, one cannot just throw people at a problem
(the notorious 'mythical man-month'), because if they don't belong to
the same "language community", i.e. don't have the same way of
conceptualizing computational problems, the results of their work will
be incompatible. In this respect, as the authors state, "Software is
emblematic because it defies the model of the division of labor that
lies at the heart of mass production and the analytical approach to
product design". The solutions software developers have found to these
challenges are also vindications of the importance the authors
attribute to interpretive communities. Before they were mentioned in
the book, it was obvious to me that the online-first communities that
form around various open source software technologies (languages,
operating systems, programs) are a great example of interpretive
communities. As the authors point out, these communities lead intense
online discussions on how to write software, and the importance of
perfecting the craft of programming. The second software process that
goes in the direction of interpretive communities are agile
approaches. These have arisen as a counter-argument to the analytic,
component-oriented software development methodologies, and have always
argued for independent, self-organizing teams that work on increments
to systems that are always in a running, complete state, even if
diminished in terms of features. Agile approaches furthermore
encourage focusing on communication and cooperation, rather than
documentation and strict processes.

This book is a fresh alternative to all the process-oriented books
that teach well-defined methods that are promised to make your
organization successful, but end up creating another shell. I hope it
moves at least a few managers to provoking conversations among their
workers, and taking the end results seriously.

0 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Great book- relevant to any contemporary business.

0 of 2 people found the following review helpful.
Three Stars
By Kitty Like
Interesting book for school

See all 5 customer reviews...

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Rabu, 09 Mei 2012

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, by Nancy R. Rosenberger Seeking Food Rights: Nation, Inequality and Repression in Uzbekistan (Case Studies on Contemporary S (1st First Edi

  • Published on: 2011-02-17
  • Binding: Paperback

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[V954.Ebook] Ebook Free Chronicles, Vol. 1, by Bob Dylan

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Chronicles, Vol. 1, by Bob Dylan

Chronicles, Vol. 1, by Bob Dylan



Chronicles, Vol. 1, by Bob Dylan

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Chronicles, Vol. 1, by Bob Dylan

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.
By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

  • Sales Rank: #20897 in Books
  • Published on: 2004-10-05
  • Released on: 2004-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.00" w x 5.63" l, 1.04 pounds
  • Binding: Hardcover
  • 293 pages
Features
  • Bob Dylan autobiography

Amazon.com Review
One would not anticipate a conventional memoir from Bob Dylan--indeed, one would not have foreseen an autobiography at all from the pen of the notoriously private legend. What Chronicles: Volume 1 delivers is an odd but ultimately illuminating memoir that is as impulsive, eccentric, and inspired as Dylan's greatest music.

Eschewing chronology and skipping over most of the "highlights" that his many biographers have assigned him, Dylan drifts and rambles through his tale, amplifying a series of major and minor epiphanies. If you're interested in a behind-the-scenes look at his encounters with the Beatles, look elsewhere. Dylan describes the sensation of hearing the group's "Do You Want to Know a Secret" on the radio, but devotes far more ink to a Louisiana shopkeeper named Sun Pie, who tells him, "I think all the good in the world might already been done" and sells him a World's Greatest Grandpa bumper sticker. Dylan certainly sticks to his own agenda--a newspaper article about journeymen heavyweights Jerry Quarry and Jimmy Ellis and soul singer Joe Tex's appearance on The Tonight Show inspire heartfelt musings, and yet the 1963 assassination of John Kennedy prompts nary a word from the era's greatest protest singer.

For all the small revelations (it turns out he's been a big fan of Barry Goldwater, Mickey Rourke, and Ice-T), there are eye-opening disclosures, including his confession that a large portion of his recorded output was designed to alienate his audience and free him from the burden of being a "the voice of a generation."

Off the beaten path as it is, Chronicles is nevertheless an astonishing achievement. As revelatory in its own way as Blonde on Blonde or Highway 61 Revisited, it provides ephemeral insights into the mind one of the most significant artistic voices of the 20th century while creating a completely new set of mysteries. --Steven Stolder

From Publishers Weekly
Starred Review. After a career of principled coyness, Dylan takes pains to outline the growth of his artistic conscience in this superb memoir. Writing in a language of cosmic hokum and street-smart phrasing, he lingers not on moments of success and celebrity, but on the crises of his intellectual development. He reconstructs, for example, an early moment in New York when he realized "that I would have to start believing in possibilities that I wouldn’t have allowed before, that I had been closing my creativity down to a very narrow, controllable scale...that things had become too familiar and I might have to disorient myself." And he recounts how, in that search for larger reach, he actually went to the public library’s microfilm archives to learn the rhetoric of Civil War newspapers. Skipping the years of his greatest records, or perhaps saving those years for the second volume of his chronicle, Dylan recalls the times when he was sick of his public persona and made more lackluster albums like "Self-Portrait" and "New Morning." He then skips again to his comeback work with producer Daniel Lanois in the late 1980s. Dylan emphasizes that he was "indifferent to wealth and love," and readers looking for private revelations will be disappointed. But others will prize the display of musical integrity and seriousness that is evident in his minutia-filled accounts of his influences in folk and blues. Ultimately, this book will stand as a record of a young man’s self-education, as contagious in its frank excitement as the letters of John Keats and as sincere in its ramble as Jack Kerouac’s On the Road, to which Dylan frequently refers. A person of Dylan’s stature could have gotten away with far less; that he has been so thoughtful in the creation of this book is a measure of his talents, and a gift to his fans.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
There's no word yet on how far this first volume goes, but we'll bet that Dylan doesn't leave any answers blowin' in the wind. Look for the complete Lyrics (ISBN 0-7432-2627-8. $45), pubbing simultaneously.
Copyright 2002 Reed Business Information, Inc.

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1 of 1 people found the following review helpful.
More about what he likes than what he's like
By Karl Janssen
Bob Dylan has been the subject of many biographies, but not until the publication of his first memoir, Chronicles: Volume One, in 2004, did curious fans receive any autobiographical disclosure from the bard himself. Rather than using the book as an opportunity to set the record straight, however, the most curious thing about Chronicles is how Dylan goes out of his way to write about everything but himself. Nevertheless, it’s a lively and literate book that does, however indirectly, provide much-longed-for insight into the thought process of this great musician and songwriter.

Chronicles is not a typical autobiography, but rather an examination of five different points in Dylan’s life. These stages do not appear in chronological order, and in the telling of them Dylan often flashes backward and forward to other scenes that happen to pop into his head. Three of the chapters focus on his early career, up to the point where he signed with Columbia Records. Too often the text reads like a catalog of influences, with Dylan listing off the acts he admired, the records he listened to, the books he read, and the movies he saw. In these early scenes, however, he does a great job of authentically recreating the Greenwich Village folk music scene of the 1960s. He purposely avoids making himself the star of these vignettes but rather functions literally as a chronicler, capturing in eloquent and vivid prose the sights and sounds of afternoons in smoky coffee shops and nights on borrowed couches. The reader at times feels as if he were young Dylan, just arrived from Minnesota and hunting for a gig.

When he’s writing about the actual making of music, however, he’s far less successful. In the chapter entitled “Oh Mercy,” about the recording of the album of the same name in 1989, he talks in-depth about a new vocal technique that revolutionized his performances and a mathematical method of guitar playing that likewise transformed his music, but what he has to say about these topics is largely unintelligible. As to the album itself, he really gets into the nuts and bolts about how each song was written and recorded, but once again he’s virtually incomprehensible because he strings together more strange, folksy metaphors than a parody of Dan Rather. One would expect such a brilliant poet to be more articulate when talking about his craft. In this respect, Dylan could learn a thing or two from Neil Young. Young’s autobiography Waging Heavy Peace jumps all over the map topically and chronologically, but you never have trouble understanding what he’s saying. With Dylan it seems like deliberate obfuscation, either because he’s too shy for self-revelation, or he simply wants to preserve some of his rock-star mystique.

In the most candid portion of the book, which revolves around the recording of the 1970 album New Morning, Dylan expresses his reluctance to adopt the mantle of “voice of a generation” that was so often thrust upon his shoulders. All he wanted was to make music and be a family man. Another highlight of the book is the final chapter, in which he details his youth in Minnesota and explains how he went from a Woody Guthrie tribute act to a songwriter in his own right.

Though Chronicles may not be the perfect autobiography Dylan aficionados have long waited for, there’s plenty of nourishment here to at least temporarily satiate hungry fans. Perhaps the most gratifying thing about Chronicles is its subtitle, Volume One, indicating there’s more to come.

6 of 6 people found the following review helpful.
Astonishing
By Alison Wild
I read this book very slowly, on purpose. I wanted to try and follow the nuance and tone of what he's describing, not just look for details of this man's past. He's an incredibly good writer. Bob Dylan is able to describe things in words that would not seem to lend themselves to any description. I had attempted to read a biography about him a month ago and just couldn't take it, had to put it down really fast. I'm happy that I did, because this book allows him to paint the story in his own way, as an artist whose vision is so much more complex than any biographer could ever capture.

0 of 0 people found the following review helpful.
Extremely enjoyable
By seadream
There have been many positive reviews written about this book and I concur with all of them. Anything I could add will probably be redundant, but I have to say that this book is one of the most interesting, engaging, funny, and colorful books that I have ever read. As others have stated, Dylan comes off as a master storyteller with a style that makes it seem if you and the writer are sitting around having a few beers together and he decides to open up and share some observations about the folk music scene in the 60's in New York. But it's much more than descriptive prose including his insights about those people who came into his life. For instance, his surprise at being signed to Columbia records by John Hammond who saw something unique in Dylan, but wasn't sure exactly what to do with it. Seems to me that Dylan is somewhat mystified himself by the press's fascination with him and was very reluctant to take on the "voice of the sixties" role that the press created for him, preferring to spend time with his family and live a simpler life than his popularity would allow him. Dylan is at his best in his descriptive passages, riding on his vintage Harley, the coffee shops in Greenwich Village, the colorful characters that populate the folk scene, and so on. Maybe Dylan is not quite as complicated as we thought he was. You'll even find tidbits to enjoy. Did you know that Dylan played piano for Bobby Vee for a time? Not a spoiler, there are many more. Some of the most interesting stories are about people in his life that aren't the cast of recognizable characters you'd expect to find. I couldn't put this book down and can't wait for Chronicles, Vol 2.

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Selasa, 01 Mei 2012

[E360.Ebook] PDF Ebook The Complete Rigger's Apprentice: Tools and Techniques for Modern and Traditional Rigging

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The Complete Rigger's Apprentice: Tools and Techniques for Modern and Traditional Rigging

  • Published on: 1900
  • Binding: Hardcover

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