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Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know, by Jeremy Vineyard
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Over 100 storyboards with simple descriptions.
- Sales Rank: #356461 in Books
- Brand: Brand: Michael Wiese Productions
- Published on: 2008-07-01
- Original language: English
- Number of items: 1
- Dimensions: 7.66" h x .43" w x 10.96" l, 1.01 pounds
- Binding: Paperback
- 155 pages
- ISBN13: 9781932907421
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
About the Author
Vineyard is a writer and director.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great introduction to filmmaking basics
By J. Wylie
I bought this book as part of a grad class I was taking. I was originally going to get this as a Kindle book, but I am glad I got the print version. I just don't think the numerous "sketch" drawings would have translated as well on my Kindle Paperwhite. There is a good variety of shot types in this book, and all of them are referenced to scenes in popular movies to help with the context, or to let you go and see a live demo. If anything, that is what the book is missing. The images do a good job of explaining the movement or type of shot, but a link to a video would have been better. This ultimately comes at the price of videos inevitably disappearing from YouTube and the like over time. Still, it would be worth considering. The book helped me think about shot choice and now has me deconstructing most of the TV I watch, whether I want to or not :)
0 of 0 people found the following review helpful.
Good Entry-Level Book into Filmmaking
By JMM
[[VIDEOID:mo387IFO7291KVQ]]"Setting Up Your Shots" is a good entry-level book for filmmakers. It's all about what shot is best to tell the story and convey an idea to the audience.
Each page of the book has a different type of "shot" that is used in filmmaking. This includes common shots like Pan, Tilt, Zoom, Pull Focus, etc. But it also includes shots that are rarely used, yet could be useful for a certain dramatic or stylistic effect. Some moves require cranes or other equipment, but most can be done either handheld or with a tripod. All types of camera techniques are discussed, as well as some common editing techniques thrown in for good measure.
Each technique only gets one page, and the text does not get too in-depth. Fortunately, most pages include a sketch/illustration which gives you a visual example of the shot being described.
The two best ways to learn about filmmaking are to:
(1) watch great films, and
(2) just go out and start shooting!
This book embraces both of the ideas above. Included with each shot/camera technique is an example of 2-3 films that used that technique. The author does a good job selecting films/scenes that effectively used each type of shot - he recommends classics like The Third Man, Citizen Kane, Rear Window, etc... but he also cites many contemporary films such as The Matrix, Pirates of the Caribbean, and The Departed.
Finally, the author suggests "Exercises" that you can do to increase your knowledge of cinematography... these range from simple observation exercises to actually picking up a camera and practicing these shots. The best way to learn these shots is to try them out yourself.
I would say that if you want to work in Film/TV as a director or cinematographer, this book is a great entry into visual storytelling. This book is too simple for enthusiasts or professionals, but if you are a beginner then it will be an adequate resource for you without being too overwhelming.
4 of 4 people found the following review helpful.
definitely not worth it
By David J. Gal
i bought this book hoping to have an additional resource for inspiration when planning my shots, but out of the entire book there's probably only 1 or 2 pages that are even worth printing. the rest of the ideas are so obvious that i 'read' this book in about 20 min.
it's basically a big list of moves, one page at a time. no noteworthy discussions about each one other than maybe a paragraph or two. no talk of blocking, or the logistics of actually setting up your shots on the set.
just a list of ideas... tired ideas.
it's also a very irregular shape, so it sticks out of my library like a sore thumb.
'cinematic motion' by stephen katz is a much better place to start (as is his other book on directing--- 'shot by shot')
don't waste your time with this.
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